↑ ↓ to moveEnter to openEsc to close

What colors make gray?

The quick answer is black plus white. Mixing complementary colors with white gives grays with a slight warm or cool tint, which many painters prefer.

6 gray recipes, mixed as paint

  1. #A9A7A1

    Black and white

    • 1 part Black
    • 1 part White

    The direct route to a mid gray.

  2. #CFCDC9

    More white

    • 1 part Black
    • 2 parts White

    Light gray.

  3. #78766E

    More black

    • 2 parts Black
    • 1 part White

    Charcoal.

  4. #8E7874

    Complements: red, green and white

    • 1 part Primary red
    • 1 part Green
    • 1 part White

    A warm, slightly mauve gray.

  5. #B5BABB

    Burnt umber, ultramarine and white

    • 1 part Burnt umber
    • 1 part Ultramarine
    • 2 parts White

    The painter’s neutral gray, barely tinted.

  6. #6C6851

    Primaries: cyan, magenta and yellow

    • 1 part Cyan
    • 1 part Magenta
    • 1 part Primary yellow

    A dark, olive-tinged neutral.

Tune the mix: Black and white

    #A9A7A1

    Open in color mixer

    Two ways to mix gray

    Black and white is the direct method, and it works. The catch is that black is far stronger than white, so the ratios are lopsided:

    Black : whiteResult
    2 : 1#78766E, charcoal
    1 : 1#A9A7A1, mid gray
    1 : 2#CFCDC9, light gray
    1 : 4#E5E5E2, very pale gray

    Notice the slight warmth in every result. Real "black" paint is rarely perfectly neutral; ivory black leans warm and Mars black slightly brown. The black used here is #1C1B18.

    Complementary colors plus white is the painter's method. Opposite colors cancel each other's hue, leaving a neutral that still has a trace of color. These grays look more alive next to other colors than black-and-white grays, which can look flat or "dead" in a painting.

    Grays from complements

    MixResultTint
    Red, green, white (1:1:1)#8E7874Warm, slightly mauve
    Red, green, white (1:1:4)#D5C9C7Pale warm gray
    Burnt umber, ultramarine, white (1:1:2)#B5BABBAlmost perfectly neutral, a touch cool
    Cyan, magenta, yellow (1:1:1)#6C6851Dark, olive-tinged

    Burnt umber and ultramarine is a favorite of landscape painters because the pair balances so well. Leave out the white and it makes a dark gray close to black (#393F40), handy for shadows. Lean the mix toward the blue for a cool, stormy gray or toward the umber for a warm, stony one.

    The cyan, magenta and yellow result shows how hard it is to get a neutral from three primaries: real pigments never cancel perfectly, which is exactly why printers add a separate black ink (the K in CMYK).

    Warm gray or cool gray?

    Decide what the gray sits next to. Against warm colors, a slightly cool gray looks neutral; against cool colors, a slightly warm one does. To warm a gray, add a touch of red, orange or umber. To cool it, add a touch of blue. Use the tuner under the recipes to try each change in quarter-part steps.

    Gray in interior paint

    Wall grays are mixed by machine from colored tints, not from black and white, so they all carry an undertone: green, blue, violet or beige. That's why a gray chip can look completely different on your wall. Our greige page covers the warm gray-beiges, and gray lists cool and neutral shades with HEX codes.

    Digital gray

    On screen, gray is any color with equal red, green and blue values: #808080, #A9A9A9 and so on. No mixing is needed. If you want a gray that harmonizes with a brand color, shift it slightly toward that hue; a gray with a few points more blue, such as #7F8790, often looks more polished than a pure one.

    A caution about the swatches

    Each result here comes from a model that estimates how pigments absorb and scatter light. It captures the big effects, such as black overpowering white, but not every quirk of a particular brand. Dry a test swatch before you commit, especially with acrylics, which darken a little as they dry.

    Charcoal, greige and blue-gray

    ShadeRecipe in partsResult
    Charcoal2 black, ½ white, ¼ ultramarine#4A4843
    Greige1 burnt umber, ¼ yellow, 6 white#F3ECE0
    Blue-gray1 ultramarine, ½ burnt umber, 4 white#D7E1EB

    Charcoal is almost all black, and the quarter part of blue keeps it from looking flat. Greige and blue-gray both start from umber and white; the difference is whether you add yellow or blue as the tint.

    Matching a gray you already have

    Touching up a gray wall or model means matching an existing color, and grays are hard because the undertone is subtle. Hold the original next to a sheet of white paper first. If it looks slightly green, yellow or violet against the white, that is the tint you'll need.

    Mix a plain gray a little lighter than the target, then add the tint in tiny amounts and compare on a scrap, letting it dry each time. Most paints dry a shade darker than they look wet, and grays show it more than strong colors do.

    FAQ

    What two colors make gray?

    Black and white. Two complementary colors, such as red and green, plus white also make gray.

    How do you make gray without black?

    Mix complements, for example burnt umber with ultramarine, or red with green, then add white.

    Why does my gray look blue or brown?

    Your black or your complement mix isn't neutral. Add a little of the opposite color: orange or umber to a blue gray, blue to a brown gray.